Biograph est une compilation contenant 53 titres de Bob Dylan, sortie en 1985 sous la forme d'un coffret de cinq 33 T vinyle et d'un triple CD.

To celebrate 's twenty-fourth year on record, Columbia has released Biograph, a five-record set that is not only a major retrospective but also a reassuring, sometimes startling, overview of Dylan's contributions to our culture. With its fifty-three recordings (nine officially unreleased songs, three unreleased studio versions, six unreleased live tracks and four hard-to-find singles), Biograph is a scratch on the surface of the tip of the iceberg, a tantalizing invitation to explore anew the rest of the Dylan catalog. The album's title suggests a life's history under examination, and Biograph provides as comprehensive, revealing and fulfilling a text as a mere ten sides of Dylan will allow. It tells the story of a man's complex and inexhaustible romance with his mentors, influences and heroes: rustic minstrels (, ); haunted blues singers (, Bessie Smith); romantic, visionary and hipster poets (John Keats, William Blake, Dylan Thomas, Allen Ginsberg); roots rock cats and media superstars (the Reverend Richard Penniman, ). Despite this plethora of sources — acknowledged or interpreted — the songs on this set give incontrovertible evidence of a continuing explosion of genius. He blew away all restrictions on content in popular songwriting.

Besos De Sangre Libro Pdf Gratis - Download Free Apps more. Even in the wake of the New Wave, any songwriter who veers into abstract, surrealistic or associative imagery owes a debt to Bob Dylan. In the lavish booklet that accompanies Biograph, Dylan makes a simple claim: 'Tin Pan Alley is gone. I put an end to it.'

(Which isn't to say Bob's not capable of some old-school songwriting himself, as the 'moon' --'spoon' rhymes in 'I'll Be Your Baby Tonight' demonstrate.) Though his association with the protest movement of the Sixties produced the enduring anthems 'Blowin' in the Wind' and 'The Times They Are A-Changin',' the songs from this period skirted the obsolescence of topicality. Even the mournful outrage of 'Lonesome Death of Hattie Carroll' stands up more than twenty years later.

Dylan's most important political act was to liberate radical perception and consciousness and put it into jukeboxes. The assemblers of Biograph obviously knew Dylan's catalog extremely well, enjoyed access to the complete work and cared enough about the project to worry about its cumulative impact. Biograph — with its intelligent and sensitive mix of greatest hits, best songs and fine rarities — serves both hard-core Dylanphiles and neophytes. The album is thematically, albeit loosely, structured. The setting of the greatest hits — 'Lay Lady Lay,' 'Like a Rolling Stone,' 'Blowin' in the Wind,' 'The Times They Are A-Changin' — alongside less familiar songs creates a feeling of rediscovery. Since the album avoids chronological ordering, the listener is made less aware of Dylan's 'reinventions' and is drawn instead to the incredible consistency of his vision and themes.